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Corresponding Author
Aulia Ibrahim Yeru
Institutions
Department of Visual Art, Universitas Telkom
Abstract
In this paper, the author will examine the work of artist Tisna Sanjaya titled IMAH BUDAYA (IBU) CIGONDEWAH / CIGONDEWAH CULTURAL CENTER. Created in 2011, this work can be regarded as one of the breakthroughs done by Tisna Sanjaya as an artist. By posing as a building, this work has shown Sanjaya departure-s from previous approaches which put the issue of politics and the environment as mere inspiration for his artworks, to become directly involves within the vortex of political and environmental conflict. To analyse IBU CIGONDEWAH as artwork and its impact on the environment and society, the author examines the symbolic aspects of this building and its physicality and functionality as a building. In order to explore its impact upon people and ecology, the author also explores the programmes run by IBU CIGONDEWAH. The author also conducted interviews with stakeholders in the Cigondewah area (including Tisna Sanjaya himself, people of Batu Rengat, and the local authoritative) to get a wider perspective on the artwork-s impact upon the environment where the artwork is located. Cigondewah itself is well-known as the centre of textile industries which regularly dumped their waste into its river, namely Cikendal-which also serves as a tributary of Citarum River. The latter recently become the centre of attention because of its pollution and how the river itself increasingly attracts political interests. This paper ultimately aimed to reconsider and dissect artistic practice as one of the alternative approaches in solving the issue of ecology and political issues. This paper could be seen as an effort to evaluate artistic practice in comprehensive manner, not only for its artistic/symbolic merit but also to dissect how the artwork or artistic/speculative practice could play a role in the conflict of everyday life.
Keywords
Citarum River, environmental art, ecology, political issues
Topic
Art
Corresponding Author
Kurniawati Gautama
Institutions
Telkom University
Abstract
This article is about the past, the present, and the future prediction about ceramic art in Indonesia. It will discuss the Brief History of Ceramic in Indonesia, Indonesia Ceramic Art Today, and Future Prediction of Indonesia Ceramic Art. We have to admit that Indonesia-s ceramic was influenced by the West, who separated the craft and art into low art and high art. The purpose of this article, is not to discuss the detail about such dichotomy, but this article merely to describe the development of Ceramic Art in Indonesia. The research methodology is literature research and field observation trough visiting some artists studio and visited the exhibition. As the observation and research, author found, that Indonesia Ceramic Art is very well developed. We can see from the continuity of many ceramic art exhibition held in Indonesia. Future example is Indonesia Contemporary Ceramic Biennale, which will be held in Jatiwangi Art Factory, Majalengka. For further research, it is suggested that the research topic is about development of South East Asia Ceramic.
Keywords
ceramic art, Indonesia ceramic, ceramic biennale, ceramic exhibition
Topic
Art
Corresponding Author
Dea Widyaevan
Institutions
Interior Design, Telkom University
Abstract
Hostel gains its popularity due to the rapid growth of urban tourism in Indonesia. The hostel not only offers affordable accommodation, but it also has a more innovative design. In the current social media age, most of the hostel need to be photogenic because the interior has become a part of a branding strategy. Since most of the hostel markets through OTA (online travel agency), their profile image are important to attract customer. These made hostel interior looks appealing on camera gaze. Many of design strategies corporate graphic visualization, unique proportion/composition to fit in camera angle. The technique of mural/graffiti often uses to promote photogenic image on small spaces/ alternative spaces. The feature of graphic as well as image composition has widely used to provoke customer imagination on -advertised- space. The relation of spatial effect between spatial-image relation will be examined to create a new perspective of interior design. These studies choose 3 hostels located - Mural Villages- in Yogyakarta. This hostel is a form of adaptive interior from house to a hostel. In this article, the study focused on aesthetic side of those interior adaptation, as well as the application of mural to create a photogenic space. The mural-s technique and its relation to other interior elements will be examined to seek a new perspective on spatial-image articulation on interior space.
Keywords
interior design, mural, hostel design, graffiti , interior element
Topic
Art
Corresponding Author
Mochammad Sigit Ramadhan
Institutions
Telkom University
Abstract
One of the characteristics in the 15th century Renaissance that there was a dramatic visual expression in the works of art, especially painting. It-s usually visualized by the artists at that time with the use of the light-dark principle on the objects presented in the artwork. This light-dark principle is known as chiaroscuro, and in the history of its development this chiaroscuro principle was applied also in printmaking by several artists in Europe. The chiaroscuro character can be built with the composition of color values with different intensities through the process of printing a matrix on the print media. There are two methods that can be used to produce color printmaking work, multi-block and reduction method that have their own advantages and disadvantages in visualizing the chiaroscuro principle. In addition to paper materials, the application of woodcut printmaking is also carried out on textile materials known as block-printing. However, there are not many works on textile materials that use the chiaroscuro principle because in general the coloring character in the visual image or design used tends to be solid color. Based on the explanation, there is an opportunity to apply the visual chiaroscuro character to the textile materials by using woodcut printmaking technique. The use of woodcut printmaking technique allows artist to produce a number of different color values by referring to the light layer falling on the object, so that the impression of volume and depth created in the artwork will be more visible. In this study, researcher conducted a literature study and observations to analyze chiaroscuro visual characters which were then tested in the experimental process of creating works to show the potential application of the chiaroscuro character by using woodcut printmaking in textile materials. The results of this study produce data on the analysis of technical aspects and visual characteristics of chiaroscuro by using woodcut printmaking technique on textiles. It can be used as material for the development of art making and learning process to be conveyed to the artists, textile designers and academic community.
Keywords
chiaroscuro, color value, woodcut printmaking, textile
Topic
Art
Corresponding Author
Nur Asmah Lina
Institutions
Telkom University, Faculty of Creative Industry
Jl. Telekomunikasi, Bandung
Abstract
Previous studies on the onion skin as a natural dye by Made Diah Angendari showing the colour of each mordant used a Jumputan and suggested using a different concentration of mordant in the next research. Based on it, interviews were conducted to three different speakers: KLP Nusantara, Mrs Kuswati, and Dapur Alifa. According to the interviewers, all can produce ±64 kg of onion skin per month and most of the onion skin were thrown or burned. Based on it, a research was done by using a variation of colouring matter, mordant measurement, dyeing technique, dyeing duration, and technique of textile to use plenty onion skin and develop technique on the natural dye of onion skin. To obtain the required data, the student collects the data with experimental methods, such as by observation, interview, literature study, and experimentation. The results of the elected experiment shows that the used of iron post-mordanting and an hour cold dyeing technique have a good result based on the endurance of wear-off in Balai Besar Tekstil Bandung and it was applied to a textile product in the form of long cloth with different measurement.
Keywords
Shallot skin, natural dye, textile product
Topic
Art
Corresponding Author
Sonson Nurusholih
Institutions
Telkom University
Abstract
Agro Tourism The Gambung Ciwidey tea plantation is one of the agrotourism in Bandung Regency. This agrotourism is located in the Gambung tea plantation. It is unfortunate with the many potentials there but not many people know about the existence of this agrotourism. It is necessary to design a promotion with effective media, so that the public knows the whereabouts of this place and is interested in visiting the Ciwidey Tea Plantation Agro Tourism. The obstacle faced by Gambung Ciwidey Tea Plantation Agro Tourism is the lack of promotional media used, as well as limited information. In solving this problem, researchers will use promotional material through the medium of photography. Where photog-raphy techniques will be used in taking photo objects with composition techniques such as symmetrical composition, the rule of thirds, and the golden rule. It is hoped that the promotion of this material can contribute to the community in the Gambung tea plantation which re-quires promotional materials to introduce the Gambung Ciwidey tea plantation agrotourism widely to the public and invite tourists to visit this place.
Keywords
Promotion, Photography, Agrotourism
Topic
Art
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